$\"\"$

\u00a9 CueStack<\/p><\/div>\n

Geschrieben von: Susanne Kneisel<\/strong>
\nBand<\/strong>: CueStack
\nAlbum<\/strong>: Diagnosis Human
\nGenre<\/strong>: Industrial Rock
\nPlattenlabel<\/strong>: Cuestack Productions\/Rebeat Music
\nVer\u00f6ffentlichung<\/strong>: 06. August 2021<\/p>\n

<\/p>\n

Aufmerksam auf CueStack wurde ich seinerzeit durch den Song “Alive” (2018), den jetzigen Opener des neuen Albums. Industrial Rock, eigentlich nicht so meins, aber wo ein Licht- und Showdesigner (u.a. Kreator, Maschine Head, Parkway Drive) und ein Session\/Livegitarrist von Belphegor (2010 – 2011) aufeinandertreffen, ist meine Neugier gro\u00df. <\/div>\n
<\/div>\n
Eine interessante Mischung und das Geh\u00f6rte traf sofort meinen Nerv. Oft geh\u00f6rt und dann die n\u00e4chste \u00dcberraschung, der Song “Through The Night” mit David Hasselhoff. Auch wenn ich anfangs etwas skeptisch war, aber ich wurde eines besseren belehrt. Dieser Track ist nicht auf dem zu rezensierenden Album zu finden, aber ich wollte ihn nicht unerw\u00e4hnt lassen.<\/div>\n
<\/div>\n
Umso mehr habe ich mich gefreut, dass CueStack mit einem Longplayer im w\u00f6chentlichen Album-Update auftauchten, da ich bis dato nur die beiden oben genannten Songs kannte.<\/div>\n
<\/div>\n
Mittlerweile habe ich mich durch die elf Tracks von “Diagnosis Human” geh\u00f6rt und mir diverse Videos angeschaut. Was die beiden Wiener da auf die Beine stellen, Chapeau. Der Abwechslungsreichtum scheint grenzenlos zu sein. Hier treffen Metal-Riffs auf roboterhafte Parts, mal d\u00fcster mal melancholisch wird hier eine einzigartige Atmosph\u00e4re geschaffen.<\/div>\n
<\/div>\n
“Go big or go home.”, Worte von Martin Kames. F\u00fcr mich ein eindeutiges “go big” f\u00fcr CueStack und 9 von 10 Hellfire-Punkten<\/strong>. <\/div>\n
<\/p>\n
Tracklist:<\/strong><\/p>\n
01 Alive (2020 Mix)
\n02 Monster
\n03 Lines Of Code
\n04 Transhuman Generation
\n05 Gynoid
\n06 Energize
\n07 Othing Without Me
\n08 Stronger
\n09 Horizon
\n10 Overpopulate
\n11 Icon<\/p>\n
<\/p>\n
Line Up:<\/strong><\/p>\n
Martin Kames
\nBernth Brodtr\u00e4ger<\/p>\n
<\/p>\n
Mehr Infos:<\/strong><\/p>\n
https:\/\/www.facebook.com\/CueStack<\/a><\/p>\n
<\/p>\n
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M\u00e4rz 2022","format":false,"excerpt":"\u00a0 Geschrieben von: Susanne Kneisel Band: Skognatt Album: Ancient Wisdom Genre: Atmospheric Black Metal Plattenlabel: Human Noise Records Ver\u00f6ffentlichung: 18. Februar 2022 Aller guten Dinge sind drei. Nach meinen Rezensionen der Split \"Autumn Skies\" (mit Bergwacht \"Verfall\") und dem Vorg\u00e4nger \"Rain Eternal\" liegt mir nun das bereits 2018 \"digital\" ver\u00f6ffentlichte\u2026","rel":"","context":"In "Plattencheck"","block_context":{"text":"Plattencheck","link":"https:\/\/www.hellfire-magazin.de\/category\/plattencheck\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.hellfire-magazin.de\/wp-content\/uploads\/2022\/03\/274989926_4927907907301550_8938842453412564685_n.jpg?fit=500%2C500&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":161917,"url":"https:\/\/www.hellfire-magazin.de\/scars-of-oblivion-misanthropy\/","url_meta":{"origin":137010,"position":5},"title":"Scars of Oblivion – Misanthropy","author":"J\u00f6rg Schnebele","date":"17. Februar 2023","format":false,"excerpt":"\u00a0 Geschrieben von: Susanne Kneisel Band: Scars Of Oblivion Album: Misanthropy Genre: Melodic Death Metal, Deathcore Plattenlabel: Independent Ver\u00f6ffentlichung: 17.02.2023 Nach dem ersten Durchlauf kann ich behaupten, dass mir hier nicht die Sonne Spaniens einen Sonnenbrand beschert hat, sondern hier ist es verbrennender Melodic Death Metal mit wunderbaren Deathcore-Elementen \"made\u2026","rel":"","context":"In "Plattencheck"","block_context":{"text":"Plattencheck","link":"https:\/\/www.hellfire-magazin.de\/category\/plattencheck\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.hellfire-magazin.de\/wp-content\/uploads\/2023\/02\/Scars-of-Oblivion.jpg?fit=768%2C768&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.hellfire-magazin.de\/wp-content\/uploads\/2023\/02\/Scars-of-Oblivion.jpg?fit=768%2C768&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.hellfire-magazin.de\/wp-content\/uploads\/2023\/02\/Scars-of-Oblivion.jpg?fit=768%2C768&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.hellfire-magazin.de\/wp-content\/uploads\/2023\/02\/Scars-of-Oblivion.jpg?fit=768%2C768&ssl=1&resize=700%2C400 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/posts\/137010"}],"collection":[{"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/comments?post=137010"}],"version-history":[{"count":2,"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/posts\/137010\/revisions"}],"predecessor-version":[{"id":137036,"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/posts\/137010\/revisions\/137036"}],"wp:attachment":[{"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/media?parent=137010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/categories?post=137010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hellfire-magazin.de\/wp-json\/wp\/v2\/tags?post=137010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}